I just want to take a moment to acknowledge the high quality of performances at the Vancouver International Fringe Festival this year. I know the main Fringe is based on a lottery system (not the BYOVs though) so perhaps we just got lucky this year, but still, for Fringe, I saw a LOT of great theatre.
Not only were there a lot of high quality shows, but there were a vast number of 1 and 2 woman productions. Given that there are SOOO many more female performers than male performers out there, and that there are so many more roles for men than for women, it's heartening to see female performers even out the odds by making their own work. I am so proud and inspired.
I didn't see that many shows this year, but the ones I did see that were of exceptional quality were (in alphabetical order)
Little Lady (1 woman)
Loon (1 woman)
Opera for Heathens (1 man)
Plasticity Now (2 women)
Recess (1 woman)
Where's My Flying Car (1 woman)
I was also part of the Plank Magazine review team this year, so if you want to read a review (or submit your own thoughts on a performance) please check out www.plankmagazine.com
I am absolutely humbled by some of the talent I have seen on stage this past week. It makes me want to crawl into a hole and never try to act again. Paradoxically it also makes me REALLY want to get my own show in the Fringe next year. I'm going to go home and dig up my most recent draft and see what I can rewrite while I'm still buzzing with inspiration...
After much hoopla and ado, pacing and nail biting, I am finally sitting down to write about the voice experiment sessions. They have in fact been going really well. Too well. I haven’t felt like there was much to report. Today was only session 4 and we’re nowhere near actual SONG yet! But today was so much fun that my inertia broke… As it were.
Allie is taking to this work like a fish to water. I love teaching the inexperienced. They have no bad habits that they want to hold on to, no egos established, just a curiosity and willingness to learn. Which is of course the best way to approach any creative task, no matter where you are in your career.
To fill you in quickly, the first 2 sessions were double whammies on free, truthful sound and starting her on the support exercises.
Flashback to day one:
My subject (hehe I feel like I should be wearing a lab coat and goggles) has an interesting approach to the sigh. She’s a very active person and from what I can tell she relaxes very actively too. In our first session I was completely flummoxed. Every sigh was an explosion! The word relax was met with a very deliberate rearranging of her shoulder muscles. A re-organization of tension. Stillness? Yes. Relaxed? Not so much. But she’s learning: she’s doing spinal rolls and we’ve found a breath image that encourages her to use a lot less effort. I’m fortunate in having a student with such an open attitude, Allie is very honest and self-aware about her patterns, it makes her very easy to work with. I’m quite proud of her. :)
Back to present day:
Today’s session blew Allie’s mind. “Who knew learning to sing could be so much like doing mushrooms?” OK, she didn’t actually say that, but it was the spirit of the thing. Up until today we’ve been fairly somber (well, for me), but today we really got up into the body’s natural amplifiers and we were getting all tingly!
Session 3 and 4 have both had a focus on resonance. Last week was a version of Stewart Pearce’s chakra resonator scale, a big favourite of mine. Very profound. But today, session 4, was the soft palette and the Linklater Resonance scale. Waaay more room for sillyness. And we had an audience! Who shall remain nameless and was a little bit of a surprise to me I won’t lie. It was my first time teaching with an observer in the room. But that’s what you get for doing free sessions as house calls. I’m sure he learned a lot. ;)
I am so excited to keep moving, I could’ve gone all night. But as I left Allie draped herself on the couch in an exhausted flop, so perhaps it was prudent to stop when we did. Stay tuned for more experimental madness!
between this meeting and that flight and the twirling bustle of my life.
Ha! I just realized how glamorous that makes my life sound. It's not, but it would please me to think you thought so. ;)
Anyway as I have been wrestling with the challenge of returning to regular blogging (ironic how when I have stuff to write about I have no time to write about it and when my life if boring I have no inclination to write) and looking for the right words, this song keeps coming back to me. I was prevented from singing it at a recent talent show by laryngitis, so I thought I'd share it with you all now. I hope you gain as much comfort and hope from this simple song as I do.
Danielle Benzon coaches entrepreneurs and performing artists in voice, acting and audition technique. She is also certified to teach the Meisner Approach through the True Acting Institute. Danielle is based in Vancouver, Canada.