I just want to take a moment to acknowledge the high quality of performances at the Vancouver International Fringe Festival this year. I know the main Fringe is based on a lottery system (not the BYOVs though) so perhaps we just got lucky this year, but still, for Fringe, I saw a LOT of great theatre.
Not only were there a lot of high quality shows, but there were a vast number of 1 and 2 woman productions. Given that there are SOOO many more female performers than male performers out there, and that there are so many more roles for men than for women, it's heartening to see female performers even out the odds by making their own work. I am so proud and inspired.
I didn't see that many shows this year, but the ones I did see that were of exceptional quality were (in alphabetical order)
Little Lady (1 woman)
Loon (1 woman)
Opera for Heathens (1 man)
Plasticity Now (2 women)
Recess (1 woman)
Where's My Flying Car (1 woman)
I was also part of the Plank Magazine review team this year, so if you want to read a review (or submit your own thoughts on a performance) please check out www.plankmagazine.com
I am absolutely humbled by some of the talent I have seen on stage this past week. It makes me want to crawl into a hole and never try to act again. Paradoxically it also makes me REALLY want to get my own show in the Fringe next year. I'm going to go home and dig up my most recent draft and see what I can rewrite while I'm still buzzing with inspiration...
Danielle Benzon coaches entrepreneurs and performing artists in voice, acting and audition technique. She is also certified to teach the Meisner Approach through the True Acting Institute. Danielle is based in Vancouver, Canada.